Though the album has hints of material being written under a time limit and a budget, I stand firm that the good parts of the disc are enthralling enough to recommend the album to anyone who is a fan of jazz or just tired of the same old pop idol drivel in anime these days.Īt the forefront of this release is the bold, in-your-face big band sound, exemplified in the opening track “Tank!,” which arguably has become as well-known as the series itself. ![]() It’s difficult to recall an anime soundtrack that has had as much widespread appeal as that of Cowboy Bebop, garnering fans that have never even seen the series and inciting high school jazz bands the world over to perform horrible covers. ![]() This brings me to the album at hand, the eponymous Cowboy Bebop, one of no fewer than ten discs of OST releases under the Cowboy Bebop name released since 1998. For many, though, Kanno’s efforts on Cowboy Bebop are what put her on the map. Many anime that have featured her compositions have gone on to become classics, which include series like Escaflowne and several iterations of Macross and Ghost in the Shell: SAC. Review: Yoko Kanno almost needs no introduction, as her name is synonymous with quality soundtracks in the anime community and around the world.
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